Hollywood Inspiration -
In Touch - with The Amelia Codes
1. Threads in Coincidence
The Fox TV series Touch is the latest example of
work of fiction with a powerful bearing on reality. This fictional
series would seem to
incorporate codes which connect strongly into the real world, certainly
to echo it. But it is
particularly significant here,
because Touch is a series which is also deeply rooted in coincidences and numbers and the apparent
interconnection across the globe of these numbers in the lives of
various people, like a thread of destiny. In fact in one of the
early episodes the young main character Jake quotes a mythical Chinese tale about a
mysterious red thread that touches people and connects them. ' The thread
may bend but it will never break'. There is also a prophetic
element within the numbers of each episode and overall, a powerful suggestion of destiny.
Unwittingly, the writers of Touch have hit on an important aspect
of reality, which is little understood or even noticed by most people.
Were they meant to, for a series first shown in 2012? Was the time
right? For coincidences in numbers really do serve to connect us
to a higher reality.
Most unusually for an American TV
series, Touch was released around the world simultaneously with its
initial screening in
the United States. The pilot episode was shown there on 25th January 2012
( An important date for many reasons, one of which is that it is the day
that the Christian church remembers the Conversion of
St Paul, the first marketing executive in history. He was
essentially the creator of the religion now called Christianity. )
The 'world premiere' was subsequently held in New York on 18th March,
2012 to mark its global release. This is because 18th March is the date
the first episode of the series is set. That is one of the reasons
why Episode I
carries the code 318.
But 18th March is a significant date in the Codes of
Fate. One element is the publication of Dan Brown's first
'blockbuster novel, The da Vinci Code on that day in 2003. Is it
chance that the main theme of that novel is that the Christian church
has made serious errors? Its the same theme that comes from 25th
January! His novel echoed our personal experiences over the
previous 15 years. It was meant. to See
Vinci Code. It is all about
inspiration from an outside
source. Touch is just the latest example of a phenomenon
first made clear in 1898 in Morgan Robertson's novel
Futility which foretold the loss of the Titanic
The early episodes
of Touch were difficult to
follow. There were so many subplots and rapid changes of scene.
Another thing which irritated were the rosy-glow endings where everyone
lives happily ever after, but later in the series a plot did begin to emerge.
The star of the series was Kiefer Sutherland. But his character,
Martin Bohm, was far from the all-action hero Jack Bauer saving America from some
terrorist atrocity or another in a mere 24hours, for the eighth or
ninth time. This story was closer to the real world. Martin
Bohm is battling
to try to understand what on earth is going on with his autistic son, Jake,
who appears to be unable or
unwilling to communicate with other people. Jake seems to live his
own world, half cyber-space, which revolves around cell phones and
bus numbers in that
first episode. Naturally 911 has to be woven into the storyline right
from the beginning.
Rather curiously, 9-11 is the central
element of another inspired film, Knowing. And that
story too is all about
numbers, codes and
prophecy. And again it mirrored my ersonal experiences after
the death of my wife, Jenny. It is perhaps significant that a lot of
effort went into producing that code sheet. Hardly anyone would
have known if most of the numbers were random rubbish,
but they weren't. Someone put a
lot of effort into it. I have only been able to reproduce part of
it, but it is the important part, the bit that comes before the End of
the World , and that is the central message of the real Codes of Fate.
Perhaps Touch was
meant as another 'primer' to try to get people tpo wonder about these
things. It failed. People just saw it as a nice story or too far
fetched, depending on how they saw people and the world. Very few
saw it as having any basis in reality. I was on the point of
switching off on a number of occasions. Each episode brought a new
number code, but there was nothing to suggest any connection week to
week between the different numbers. For more details of the cast
and stories see
- List of Touch episodes
Eventually in Episode 6 the numbers
were all put
together as a sequence and emerged as the 'Amelia Code'. Jake's numbers
appeared to be exactly the same sequence as the numbers which a young girl,
been somehow 'caused to find' sometime earlier. This strange cross-connection between Amelia
and Jake was noticed by a Professor who has made a study of
gifted/problem children. He is astonished to find that Jake`s sequence
to the sequence he had seen earlier, which he had christened the
Amelia Sequence. It appeared written out on a whiteboard in that episode as
2. A Strange Echo of Apocalypse
Immediately my eye was drawn to the sequence
2297. This came as a complete surprise because since 1988, this
very number has been the code for the Apocalypse in our real codes, the
Alpha and Omega Codes which latterly, in 2010, I started to
the Cassandra Codes. That was because they are always right but
no-one has ever believed them. And now for a 'Live Update'.
I did a couple of carriage returns to explain re the Cassandra jigsaws
and the Codes of Fate when my eye was drawn to the time 9:46pm. I hit
the print screen below button. The result is below. By
the time I had cut and pasted it into Word to -conveniently size it and
insert it here the Print Screen showed 9:46:59. You can follow
that thread at The Live Update of
946 in Touch
Why does this
matter? 946 is the time when I had begun to add a further note that more
recent developments have led me to call them The Codes of Fate.
And it would serem that The Hammer of God, an asteroid impact will be at
some point in the Apocalypse sequences, coded 2297. What is more
240713 is the day before 250713. The code for World's End is 507 -
See Koestler and World's End.
Then the Spanish high speed train crash came on
25.07.13 just after I had written about the world's rapid progression to
Doomsday being akin to The Armageddon Express. That had come
to my mind because of a
curious coincidence in a BBC report of the French train crash on
12th July. That had come so soon after the Lac Megantic rail
disaster in Quebec on 6th July. Sorry of this is a little
confusing. Its the intricate way the webs of destiny seem to
interweave... It is all to do with now and the real numbers in the
real world. Touch is fiction. The Codes of Fate are not
For the background to Code 2297 see The Seventh Sign.
I had been on the point of switching Touch off on a number of occasions but each
time something had happened to keep me watching. Code 2297 is one
of the most important of all the Alpha and Omega Codes. (See also
a comparison of The da
Vinci Code with the Alpha and Omega Codes) 229 was the
first code warning of the End for all.... It was I suppose thus Alpha and
Omega - in the beginning, warning of the End. Now having seen
this Apocalypse code in Touch, I was curious as to why Fox PR people at the start
of the series
had been pushing the line that Martin Bohm had to save his son and in so
doing, save the world. For there had been no suggestion of any
threat to the world/civilisation in any part of the story so far. Now here in the middle of this
fictional Amelia Code in Episode 6 was one of the most important of our real World's End
fictional series relies for a plot on the premise that apparently
unconnected numbers had a way of connecting people and events in the
real world. That is precisely my thesis and has been for a quarter
of a century. But my work is not fiction. My numbers predict air
disasters, in particular. And by strange 'coincidence'
Episode 6, in
which the Amelia Code first appeared, was written around an air
disaster. Code 975 is emphasised in advance, apparently pointing
to the crash of Flight 975. A young American swaps places with a
young Chinese woman, thus securing a standby seat and an early grave.
Mind his apparent survival for a significant part of that episode after
the crash before his sudden death was extremely difficult to understand.
air disaster scenes in Episode 6 were rather less than convincing,
consisting of little more than the young American man sitting on an
upright aircraft seat in the middle of a field, strewn with
debris. Presumably budget constraints prevented anything more
realistic. But the appearance of code 975 predicting air disaster was a much less
precise example of something that had occurred to us in real life.
Just eight days after we had watched the film The Seventh Sign, on 2nd December 1988, the number 557 was emphasised to us. But that
number led on to a full code, the car chassis code, which predicted
which plane would crash where when and why. The code even included
the airline. See Lockerbie and 557.
Of course had the writers of Touch included such a precise and complex code
people would have laughed at it for its being so utterly improbable.
Furthermore Martin Bohm makes the mistake of claiming that Jake
predicted the disaster. He did not predict it any more than I
predicted the Lockerbie air disaster. Jake is caused to emphasise
code 957. There is no evidence that he understands why 957 is
important. Code 557 was emphasised to me and to Jenny, but we
had no idea why 557 was important until after the crash of Pan Am 103 at
Lockerbie. All that the code proved was that Something knew the
future and that Something had not seen fit to reveal to us what that
future was before the event in question came to pass.
It had only been eight days before we were given
first code 557, on 2nd December 1988 that we had first encountered the
coincidences of 229 at the heart of the plot in the film
The Seventh Sign. And now here in
Touch Episode six there were both elements of our real-life experiences.
There was code 2297, the seven added for The Seventh Sign and various
other reasons, and written around a plane crash, the 97 of 2297
coming from 975.
These things really
did happen to us, providing proof of the existence of
something Touch never ever mentions - God. Touch is woven around
doubtful New Age type
ideas of everyone's connectedness. One memorable piece of jargon is
entanglement' spoof physics with a vengeance. Another cop-out is to anthropomorphise the
universe. Jake who cannot/will not speak in the story, does the voice-over, which
starts and ends each episode. He explains "If one way is blocked, the
Universe will find another way. This personification of 'the
Universe' reminds me of so many TV reporters who in the wake of
disasters talk so glibly of the fury Mother Nature. It sounds so
much less disturbing than the wrath of God.
As ever, unimaginative, intellectually-challenged sceptics
and atheists will shout "Its all just chance" as they always do.
Its their only explanation for anything out of the ordinary, in their arid,
world of greedy, vicious, dog-eat-dog materialism. And also as
ever, their answer is wrong. There is an alternative dimension to
existence beyond our material world of space and time. And the
Source of Intelligence chose to prove that in the very next episode of
Touch. For Episode 7 the code was 1188. This was the
number on the key to the Professor's research centre. And by chance,
if it makes you feel safer to cling to that vain 'explanation', or design if you
want to approach the truth, we first saw that film The Seventh Sign on
24th November, 1988. If you write that date as a month in the
year, it becomes 11.88, the very number on that key to the professors research
centre. Seventh episode... Seventh Code number... Seventh
Sign???? Was it intended to be an affirmation that we are right in
everything we say??? Meaningful coincidence is the key to so
much.....And we only went to see that film because 'the Voice' told me
it was important that we see it. We did not make a habit of going to the
'movies'. We had better things to do with our time than waste it
being 'entertained' by Hollywood.
3. Parallels to Touch -
Inspiration in other Films
We saw only two recent-recently released
films between 1986 and 2009. One was The Seventh Sign
(1988) and the other was What Dreams May Come (1998). We saw
the first film in a cinema in Carlisle but only saw the second because Jenny
rented the video from a local video shop after a friend had told her there were scenes in that
film which reminded him of a large painting our lounge wall. That
painting, by John Martin is The Celestial City and the Rivers of
Bliss. But here is a really strange coincidence. Jenny
decided to rent the video only because that night I had rung her from
Auckland to tell her that I had cancelled my advertised series of
lectures in the University of Auckland Department of Continuing
Education entitled Is There Life After Death?. I decided to
cancel it because the were not enough enrolments. As we would not
be producing any lecture notes for the series now, Jenny got the idea to
rent that video since her friend had drawn the 'John Martinesque' scenes
to her attention. But it became clear she had been 'caused' to do that
as it was very important that we saw that film that weekend - 17th/18th
July, 1998. ( For more on John Martin see
John Martin Visionary Artist )
On the afternoon
of 17th July, we came to watch the film
and we were amazed to discover that its topic was the very same one as
my cancelled course of lectures - Life after Death. What
Dreams May Come was actually a really good film, with some
inspired visual effects conveying images of heaven and hell. What
it had an incredible relevance to my life at the time we came to watch
it. In the film, the man (Robin Williams) goes to heaven and his
wife (Annabella Sciorra) goes to hell. My father died in December,
1986 and many things conveyed to us the certainty that he had gone to
heaven. In contrast my mother had died in June 1999, just a month
before we saw the film. And in total contrast, the signs around
her death referred particularly to John Martin`s painting
The Last Judgement and left us in no doubt that she had gone to hell. The
full story of our experiences around that time are given in the second
part of Mary`s book, Mary Daughter of
Elohim. There are included in that there because our
experiences, particularly around the time of my mother`s death,
confirmed very strongly the warnings that Mary Magdalen had given to us
But there was another significant
coincidence in respect of What Dreams May Come. Unusually for
a Hollywood film, it had a New Zealand director, Vincent Ward.
Even so, I must admit, the end titles really annoyed me. As ever they
acknowledge every Tom, Dick and Harriet you can think of down to the tea lady's hairdresser. But they did not acknowledge
John Martin at all. The best they could come up with was 'various
Victorian painters'. It was very clear that the principal source
of the ideas was the work of the inspired Victorian painter
John Martin. It is a pity they did not apply the same brevity
of credit to the
great list of people who were involved in producing the film.
But God knew, whether Hollywood chose to acknowledge it or not.
A third inspired Hollywood film did appear
in 2009. That was Knowing. Like The Seventh Sign
, Knowing was just an original screenplay. There was no
book behind the film, whereas there had been a book of the same title,
behind What Dreams May Come.
Knowing was released in New Zealand on
20th May 2009,j just five weeks after Jenny died. That film
was linked so very intricately into her death and the next
No3 Air France 447, my investigations into spiritualism, my real life
prophetic number codes and the end of the world. And only
six weeks ago it was linked into the
Aurora cinema massacre,
another Hollywood offering, although not one noted for inspiration.
The Dark Knight Rises is the latest outing in a franchise that
has got darker and darker, to match the nature of the world.
So in terms of a track record
inspired Hollywood film a decade, Touch was being marked out as
something highly unusual.
4. New Zealand Audience Reaction to
But, in New Zealand, after
Episode 7, screened on the 29th April 2012, there came a sudden
halt, and yet another insight into the nature of New Zealand. From
my research on the Internet I had learned that there were 12 programmes in the series.
But after Episode 7, just when I was getting really interested and keen
to see what came next after The Seventh Sign time confirmation
code, the prime-time Sunday
TV series was suddenly dropped. The next week 8:30 PM time slot
was filled by a film, Slum Dog Millionaire. When I rang TV 3 to enquire
about this sudden unannounced change to the series, I discovered that
the ratings had been disappointing. They refused to give me any
figures but assured me that the rest of the series would be shown
eventually. They did not know when, or it was clear, particularly care
either. The viewing figures had disappointed the advertisers and
the advertisers were the only people who mattered. So once again
here was the unpleasant side of money-grubbing, market-forces- controlled,
clean, green 'corruption-free' New Zealand
New Zealand also
emerged once again as a less open
society than the USA. In the United States, viewing figures for TV series are
released as a matter of course by all networks. In secretive
New Zealand, no information at all is released. When I commented
how the information is freely available in America, the senior TV 3
Public Relations woman replied with a very clear tone of superiority "We do things
differently here." Dead right.
You find this in many areas of New Zealand life. In Britain, jobs are always
advertised with salaries. In New Zealand no salary is ever given
in any job advert. It is 'divide and rule'. I did once enquire about a sewage works manager`s job in
New Plymouth. It was working for the city
council. In England all public service jobs have published pay scales.
The New Plymouth personnel woman would only tell me that the salary was
dependent on age qualifications and experience. That was
non-information. All salaries are based on age qualifications and
experience and of course who you know helps quite a lot as well,
especially in 'corruption-free' New Zealand.
But jobs are always on some kind of pay scale. But only in Britain is
the pay scale public information.
And again New Zealand
arrogance came to the fore when she told me that I would have to have a
New Zealand sewage works operator's qualification. Its almost an
automatic reaction. Foreign qualifications are inferior. In England
I had a degree and an Institute of Water Pollution Control
qualification. I used to lecture to engineers,
let alone sewage works operators. I produced audio- visual training
courses for sewage works operators as well as managing them.
But of course New Zealand is different. They have a
different kind of shit - but New Zealanders seem to be happy
with it. So 'by coincidence', just in trying to get information
about Touch I was reminded once again about a major drawback of
New Zealand society.
5. The Later Episodes 8-12
I was disappointed at not to be able to get New
Zealand viewing figures because it would have made an interesting comparison
with the fall-off rate for the series in the United States. Had
New Zealanders given up on a complicated TV series woven around numbers
and global connections at a more rapid rate than Americans? I did try to find out about
the later episodes in the series by reading reviews on the Internet.
It was clear that most of the reviewers were only
interested in the 'heart-warming' storylines. Very few reviewers gave the code
number for any episode. They seemed to have totally failed
to grasp that numbers were central to the whole series. Eventually from a combination of a
few more 'in-depth' reviews and a Wikipedia article, I managed to assemble the remaining five
codes. But they did not mean anything at all, nothing whatsoever.
Finally, on 3rd June, Touch returned
to New Zealand screens but in very much a graveyard slot. It had
been moved from 8:30 PM to 11:30 PM, or whatever time the evening film
You could guarantee the audience ratings would plummet even further.
But that did not matter because TV3 had bought the series and so would show
them anyway if not to the advertising bonanza they hoped for. It
seems they had over-estimated the intelligence of New Zealand
audiences!! Perhaps it was just too complicated. And
there was very little violence and not a vampire in sight.
I soon realised that once again it had to be the Source orchestrating
every thing precisely. The series had been taken off because the
advertisers control all free to air television in New Zealand.
There is no such thing as public service broadcasting at all.
These malleable programmers and manipulative advertisers constituted the means by
which the Source caused the programmes to be broadcast at precisely the right
time to serve His purposes. They had to be shown at the correct
time that related to world events so that I could tie in the last five
code numbers. Once again, as with so many instances since 2010,
I was being shown how God uses people according to their natures,
but subservient to His purposes. More and more, Everything appears to be
pre-determined. The series came back on in the graveyard slot,
because both the time and the dates on which the later programmes were
shown were critical. As I watched those later episodes, one by one, I
now understood the second batch of codes. They related to 'now',
the time they were being shown to me in New Zealand, and they related in
particular to events in Britain. I append below the full Amelia
I had already seen other patterns in the
first seven episodes of the Amelia code and now I found many more.
Hidden within the Amelia Code is 'nuclear disaster for America',
'Diamond Jubilee', 'death of Queen Elizabeth', 'death of Diana',
'too late' and at its heart 2297, which of course is the code
for the Apocalypse as discussed above. But it is also the
code for this year for America. Year 229 of America`s existence
was 2005, 229 years since 1776. It was marked by God with Hurricane Katrina. This was God`s
reply to the copper missile which NASA fired at an asteroid on
Independence Day 2005. It was a characteristically arrogant
display of American power. It almost screamed "Aren't we smart?"
"Not really" was God's reply "See how you do with this".
Then he set Katrina in motion in accordance with the signs - meaningful
coincidence- that he had
already given to me in Britain during June and July 2005, not that I
realised that at the time. You only see the Cassandra puzzle
The answer to
God's 'test' "See how you do with this" was 'not very well at all'. Bush,
the great leader after 9/11, was shown to be the
arch-bungler he had always been, FEMA a national joke. There was no
opportunity here to wave the flag to distract attention from the truth,
from the glaring incompetence. Katrina showed the divisions, the
injustices and the hypocrisy in
America so very clearly. It was meant to.
The gradually unfolding story is given in my 'train book'
Predestination - abc or A to Z ?
However, a very significant prophetic meaningful coincidence is
discussed at Hurricane
Now 2012 is year 229+7 for
America. Funny how Isaac came seven years on from Katrina, to the day, 2557 days
no less. ( Note how 22557 was the prophecy code for 911 - see my
The Diagrams of Truth.
The bonus was that Isaac was precisely timed to disrupt the start of the Republican convention. And it
showed that the competence of the Republicans has not improved one jot.
What changed in the 8 minutes between them opening the Republican
Convention and putting it into recess? Why did they bother opening
at all? Was Isaac intended to be specifically a reminder of
Katrina? Was it saying "watch this space?" Or is
it all just chance? Cling to that if it makes you happy. But
its making you happy does not make it true.
2nd September, 2012.
A week after I published this page
I found myself in the middle of more connections to 9/11, which of
course is a central element in Touch. Martin's wife, Jake's
mother, died in the North Tower on 9/11/01. An American man
started a conversation with me in our local Countdown Supermarket on 8th
September, 2012. He was married to a Muslim woman from Indonesia
and they lived here in Papakura. It is not a fashionable area of
Auckland - Americans are about as rare as hen's teeth... But that
meeting linked to 9/11 and to the Code from Episode 2 of Touch.
They invited me for lunch on Sunday, 9/9/12 which led to code 5296.
Then six weeks later
on 29th October came
Hurricane Sandy, the worst and most damaging storm since Katrina.
It was also predicted by the Cassandra 'jigsaw pieces'. So Sandy
was a Katrina 229+7 code repeat. 29th August, 2005... 29th October
2012... 2x29..... Apocalypse code... And Sandy came in the year Touch
was screened with code 2297 at the heart of the Amelia Code....Is it
really just chance? Or can we expect Moore?
I came across a curious link to the film Knowing as I grouped
various numbers in the Amelia code. 318 is from episode 1 and 5296
from Episode2. But the crossover sequence is 3185. It is the
date of a pilgrim stampede in Baghdad which killed 978 people - 31.8.5
31st October, 2005. Just coincidence - or is it? 979
is 946+33 Hammer of God and EE in
Knowing. 978 is one off. There is but one Easter
left...You will find that disaster in the
code sheet. It is one of the ones I managed to decipher.
Someone put a lot of effort into producing that code sheet for that
film. They were meant to. The date when I discovered
that link was 6th January, 2013. It was 22 years on from the very date
the Daily Telegraph edition number 'code errors' led to my first
successful coincidence code prediction, the date of the start of the
Gulf War, 17/1./91.
29th July, 2013 1:37am